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James HeartfieldJames Heartfield is a founding director of audacity. He writes, lectures, and broadcasts on development and regeneration. He got his Ph. D. from the Centre for the Study of Democracy at University of Westminster in 2010. James has worked as a journalist, for a television company, as a lecturer and editor. He enjoys public debate, and speaks widely. In 2011 James wrote The Aborigines' Protection Society: Humanitarian Imperialism in Australia, New Zealand, Fiji, Canada, South Africa, and the Congo, 1837-1909, (2011). Zero Books published his Unpatriotic History of the Second World War, (2012). He is currently working on a number of other publications which will be announced shortly. James co-edited the collection of essays in Sustaining Architecture in the Anti-machine Age, (2001). He is the author of The 'Death of the Subject' Explained, (2002) Let's Build! - Why we need five million new homes in the next 10 years, (2006) and Green Capitalism - Manufacturing Scarcity in an age of abundance, (2008).
The official history of the Second World War is Victor's History. This book, the Unpatriotic History of the Second World War, is the history of the Second World War without the patriotic whitewash. The Second World War was not fought to stop fascism, or to liberate Europe. This book shows that it was a war between imperialist powers to decide which among them would rule over the world, a division of the spoils of empire, and an iron cage for working people, forced to serve the war production drive. In the Unpatriotic History of the Second World War James Heartfield explains why the Great Powers fought most of their war not in their own countries, but in colonies in North Africa, in the Far East and in Germany's hoped-for Empire in the East. James looks at how unofficial strikes, partisans in Europe and Asia, and soldier's mutinies came close to ending the war. He argues the Allies invaded Europe and the Far East to save the system of capitalism from being overthrown.
James tells the story of the three-cornered fight among the Colonial Office, the settlers, and the natives that shaped the British Empire. Pointing to the wreckage of Humanitarian Imperialism today, James looks to its roots in the beliefs and practices of its nineteenth-century equivalents. His book is an account of the pivotal role that the Aborigines' Protection Society played, persuading the authorities to limit the claims of settlers in the name of native interests. Against expectations, the policy of native protection turns out to be one of the most important reasons for the growth of Imperial rule. Best intentions are not sufficient... Contact...Website: www.heartfield.org e-mail: james@heartfield.org James Heartfield writes...
![]() ![]() ![]() Let's Build! Why we need five million new homes in the next 10 years With a foreword by Robert Bruegmann Edited by Kate Moorcock-Abley ISBN 0-9553830-0-5 Price: £15.00
Capitalism has gone green at the start of the twenty-first century. After the austerity socialism of the past, environmentalism is the ideology of capitalism in retreat from production. Copies of James Heartfield's pamphlet Green Capitalism - Manufacturing scarcity in an age of abundance are available through the author's website at www.heartfield.org. The launch is on 11 March 2008.
Published in 2002 by the Sheffield Hallam University Press, which has since ceased trading, copies are available through the author's website at www.heartfield.org Reviewing The "Death of the Subject" Explained, Michael Fitzpatrick appreciates Heartfield's argument; while subjectivity is in a precarious condition, reports of its death are exaggerated. 'Despite the wilful denial of its existence and importance, the subjective factor remains the most powerful force in society.' Clarification of '... the processes that are frustrating the emergence of a wider awareness of the potential of human subjectivity is the first step towards realising that potential.' To read this review, first published on Spiked!, click here
Published by Design Agenda in 2000, Great Expectations - The creative industries in the New Economy argues that the hopes now invested in Britain's designers misrepresent both the way design works and its role within the economy. James Heartfield explains that '... creative industries will fail to satisfy the great expectations that are invested in them... the expectations border on the bizarre.' ![]()
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